Confessions of a Ballerunner

Essays on Sports, Arts, Culture, and Life

Archive for the tag “cartoon”

Cartoon: Health messaging is all around us

Crowded subway screening messages cartoon_color2

Everywhere we look, we are bombarded with health messages, usually across a variety of media platforms. How to prevent disease. How to treat disease. These days, a person has to be able to think critically not just about the message being transmitted (i.e., Is it credible? Does it apply to my personal circumstances?), but also about the messenger transmitting the message (i.e., Is the information from a trusted source? Are there any conflicts of interest or external motivations that may be influencing the message?). In an age of such complexity, it has never been more important to educate ourselves about health and healthy living. We need to become critical thinkers, so that we can appraise the messages and the messengers. There’s a lot of health information out there – too much to stay on top of by ourselves. That’s why we also need to identify trusted curators of health information, who can help us sort through all the noise to find the signal.

An excellent, plain language resource to start educating oneself about health messages is the free, open-source book by Woloshin, Schwartz, and Welch called Know Your Chances.

Words Matter: The Importance of Choosing One’s Words Carefully

This week, I was asked by a friend if I could come up with a cartoon that she could use in a presentation that she would be delivering at an international conference on communication later this month. She wanted a humorous illustration that would help make the point that the words we use matter in ensuring that our ideas are understood as we intended. By contrast, when we choose the wrong words, misunderstanding can often occur, sometimes with comic effect.

This cartoon was drawn by hand using a black Pitt pen on glossy (finger paint) paper, which I then scanned and colorized in Photoshop. It shows a Catholic school student having to explain her unfortunate choice of words in class to the priest.

This cartoon was drawn by hand using a black Pitt pen on glossy (finger paint) paper, which was then scanned and colorized in Photoshop. It shows a Catholic school student having to explain her unfortunate choice of words in class to the priest.

Illustration: ‘Afternoon at the beach’

Inspired by a photo I took earlier this week of a multi-colored parasol at Parlee Beach at dusk and the artistic style of Maud Lewis. Drawing and colorization done entirely in Photoshop using my laptop’s touchpad.

Beach art

Whimsical fish and bicycle mixed-media illustration

seafood bike_collage_med.res

This was an illustration I did for my 3-1/2 year old nephew based on a trip I made to London, England in September of 2012, where I happened upon a lovely green delivery bike complete with wicker basket for Bentley’s Oyster Bar & Grill off Regents Street.

The bike and cat were hand-drawn using a black pitt pen; the fish and newspaper were photographs I had taken and cropped, while the boy, cartoon fish, and background were all drawn using Photoshop. Colorization was completed in Photoshop. My nephew loved it! 🙂

Misty Copeland – first black principal ballerina at American Ballet Theatre: illustration

Misty Copeland_ballerina_lines

This sketch was originally drawn by hand using a black Pitt pen then scanned into Photoshop for colorization. The patterns in the tutu are individual pieces of fabric that were scanned and incorporated into the image.

‘The Hare and the Elephant’ fable: illustration of a passage

“As he passed, all the villagers exclaimed: “Look at his paws! And those ears! That’s the biggest hare we’ve ever
seen!”
When he heard this, the hare turned to his friend, saying, “We can go home now! That’s settled! I’m huge and you’re tiny!”

The hare and the elephant fable

This is a passage I illustrated from the fable, ‘The Hare and the Elephant’. During the first class of an introductory illustration course at the Ottawa School of Art, our instructor had asked each student to select and illustrate a passage from this fable. All of the illustrations – some more elaborate or imaginative than others – were then collected and scanned into a single keepsake digital book, which was given to us as a souvenir at the end of the course.

My drawing was sketched and colored by hand using india ink and a quill pen initially and then watercolor paint.

‘Le Fabuleux Destin d’Amélie Poulain’: digital cartoon

Amélie

After taking an introductory illustration course at the Ottawa School of Art and learning a few new tricks in Photoshop, I have been re-inspired to draw and colorize digitally. This sketch was inspired by a trip to Montmartre in Paris that I took in the fall of 2012 and the endless charm of the 2001 ‘Amélie’ film. The drawing was originally done by black pitt pen, scanned, and then colorized digitally. I think I might look into getting a Wacom stylus soon, though; I’ve heard it makes colorizing – and eventually drawing – much easier than using a mouse (or in my case, the laptop’s touch pad).

Carols by smartphone LED light

Carols by smartphone LED light

I recently attended a traditional nine lessons & carols (for background on this service, see http://en.wikipedia.org/wiki/Nine_Lessons_and_Carols) church service. However, not known for my punctuality, the church was packed when I arrived and there were no bulletins/programs left. I had no choice but to pull out my Blackberry in the dimly lit church and try to stealthily download a program from the church’s website. All the while, I could sense the dozens of disapproving looks and murmurs behind me from people, who doubtless assumed I was simply indulging a serious crackberry addiction in their sacred place of worship.

Swimming: A Yearning for the Life Aquatic

Summer, 2012

I’m out for another evening work-out on another sweltering summer night in the city. I have never seen Ottawa looking so dry. Alarmingly so. We have not had rain for more than a month, and the straw-colored grass is just thirsting for water. During the day, it looks as if we live in a giant wheat field like the one depicted by the 20th century American realist painter, Andrew Wyeth, in his tableau, Christina’s World. An odd  juxtaposition of happy sunbathers can be seen along the canal near the Corktown footbridge soaking in the intense sunshine seemingly either blissfully unaware or undisturbed by the desperate, drought-like conditions surrounding them. As night falls, our sun-scorched earth becomes a version of Van Gogh‘s ominous Wheatfield with Crows, where pedaling along the parched Arboretum‘s lonely bike path expectedly triggers the doleful a-hink-a-honk chorus from the hundreds of resident, apathetic Canada geese, floating disinterestedly on the warm lagoon waters.  A small, skittish cohort suddenly breaks away in V formation, having decided to seek skyward sanctuary; their remaining feathery flâneurs left bobbing over the small series of waves generated from the wake…

Another day, another night of heat. The wind has changed, and so the smell of smoke from a brush fire in the city’s west end now permeates the warm, humid air, causing me to defer my run until tomorrow morning in favor of a swim indoors. I’ve just started working out at the university pool since my community pool is closed for the summer for much-needed renovations to its dilapidated roof and ventilation system.

The Quest to Conquer the Fear

The university pool is a hard-core, 50 m competition pool filled with water tending on the cold side, conducive for supporting top performances by its varsity swimmers; my unassuming community pool, by comparison, is only 25 m in length with a balmy ambient water temperature perfect for more casual or leisure-inclined swimmers. I was slightly intimidated by the prospect of kicking around on a flutterboard in this big pool, imagining all those aspiring Michael Phelps and Missy Franklin swimmers lapping me several times over…

I am still learning to swim properly. It’s not so much the physical aspects of swimming that elude or intimidate me, but the considerable psychological baggage I carry for deep water that I can’t seem to unpack. It’s been more than a year that I’ve been incorporating pool work-outs into my athletic routine, but I am growing impatient with the plateau I seemed to have hit in my swimming progress.

My interpretation of the famous Edvard Munsch painting, The Scream.

I took some adult lessons last winter, which began with promise, but then I seemed to lose momentum. I struggled fruitlessly trying to master the art of treading water without exhausting myself from the effort. I’ve tried both the ‘bicycle’ and ‘egg beater’ techniques, but my legs and arms invariably tire after moving about at Mach 8 or like the powered-up propellers of Porter‘s Bombardier Q-400 turboprops. I cannot seem to get myself to slow down in the belief that I will float. By contrast, the rest of my less fit classmates easily mastered this essential water safety skill. I was discouraged, but soldiered on, albeit dispiritedly as I watched my peers transform into confident, competent swimmers, effortlessly completing 25 m up and 25 m back. I would achieve no such breakthrough.

During the in-between time of my lessons, I mostly stick to my security blanket routine of non-stop laps up and down the 25-m section of shallow water at the university pool supported, of course, by my large, trusty red flutter board. Because I kick away vigorously and continuously for almost an hour, the effort usually provides a decent cardio (and muscular endurance) work-out and most importantly, a much-needed cross-training break from the unforgiving, repeated pounding my lower limbs have sustained from all the years of exclusive running.

Physically, I do not look like someone who cannot swim. In fact, I probably look like someone who swims well — possibly at a Master’s level. With my focused, hour-long flutterboard sessions, I would often be queried by curious swimmers in the adjacent lanes about what I was training for; I did not fit their image of a non-swimmer and so they were always more than a little surprised to learn that no, actually I was still learning how to swim.

What is it about Deep Water?

I don’t eschew the deep end of the pool entirely. In fact, I often enjoy doing laps on my flutterboard there especially to avoid the usually crowded lanes of the shallow end or getting hit in the head by a wayward ball from the rambunctious pick-up water basketball games among the 20-somethings that go on concurrently in the adjacent leisure lane. When I’m relaxed in the deep end, I imagine myself being supported on top of a giant bowl of Jell-O or a very big waterbed; I can easily sense the difference in buoyancy between the shallow and deep end. When I’m not relaxed, work-outs can become suffused with anxiety, where I experience a hyperawareness of the depth beneath me and a consequent need to remain within relatively easy reach of the pool’s side wall; I still persist with my work-out, but I am relieved when it is over and I can exit the deep end.

In spite of this long-standing fear of deep water and the challenge this presents to learning to swim, I have perhaps surprisingly always derived a great deal of artistic, spiritual, and intellectual inspiration from being near water — especially oceans and lakes. I think it is this desire to one day be able to safely canoe, row, or kayak solo in open water that most fuels my desire to learn to swim.

If I think back to my youth, there was a time when I delighted in going to my community pool for public swims to cool off during the hot summer months with my friends and sisters. Like most kids, I took swimming lessons, even excelling in my early series of Red Cross classes; however, I had not yet reached the level at which classes would be conducted exclusively in the deep end.

One day, during one of those care-free summer afternoons of my youth spent at the local pool, I remember wanting to try jumping into the deep water in such a way as to minimize splash. I was not a slim kid and so my jumps into the pool tended to be more on the ungraceful, cannonball side. I was also becoming increasingly aware of my slightly excess corpulence as a girl on the verge of puberty coupled with a generally increased self-awareness of physical appearance.

I suppose I shouldn’t have been surprised by the outcome of my attempt at a rip entry jump. I jumped in straight, entering the water feet first with pointed toes like an arrowhead. However, I must have let myself descend too far since I began to panic. Fortunately, survival instinct kicked in as I was able to claw my way back up to the surface without drawing attention to myself. Hovering over the side of the pool, alternatingly gasping for air and clearing my throat of the water I had inhaled, I remember physically trembling as I thought about how differently this experiment could’ve turned out. Sadly, I don’t recall ever returning to the pool after that incident.

A Cautious Reacquaintance with Water

Fast forward many years later to the summer of 2011 when I decided to finally go back for another go at learning to swim with confidence and proficiency — and to tread water, all because of being sidelined last summer by a running-related injury and a determination to preserve my hard-earned cardiorespiratory fitness.

I can still remember that first Friday evening last summer when I tentatively slipped into the shallow end of my community pool. Why is it that pools are always so uninvitingly cold upon initial immersion? I recall the two young, teen-age (or so I thought) lifeguards confidently sitting sentry on their chairs, and how they would generously dispense stroke improvement tips to the eager, mostly novice or average-ability swimmers in the pool, a motley assortment of parents with their young children or toddlers, a few teenagers, some senior citizens, and me. Flutterboard-shod, I stayed close to the wall that night, but did venture partway into the deep end under the watchful eye of the lifeguard. My ankle, wrapped securely in Kinesio tape, was a curious enough accessory to behold as to prompt an inquiry from one of the lifeguards. We engaged in a chat about possible differential diagnoses for my injury, along with my long hiatus from the pool, my fear of the deep end, etc. I remember how reassured I felt when the lifeguards asserted that I would have nothing to fear under their watch. One of them also encouraged me to don a pair of goggles whenever I came to the pool for a swim. He explained that I might feel less anxious about the water if I could open my eyes and see where I was actually going. He was right.

The Comfort and Characters of the Fishbowl

After a few more drop-in visits to this modest community pool, a certain comfort with the staff, the facilities, and the other swimmers began to develop. I decided to commit to this pool and took out a 3-month membership. For the rest of that summer, my non-running fitness routine would consist of daily cycling and visits to the pool 3-4 times per week or more; my ankle tolerated this regimen well. In the process, I had become something of a regular at the pool, recognizing, and often chatting with, other regulars. This pool felt comfortable; it felt like my pool. I renewed my membership and my routine continued through the fall, winter, and spring, replacing the cycling with some cross-country skiing in the winter.

My imagination being what it is, it was inevitable that I would start to create visual stories or character sketches in my head about some of the other swimmers at the pool. This mental storyboard game I would play also proved to be an effective distraction strategy, increasing my comfort in the water by turning my thoughts away from the water, itself.

Cast of Characters

Inspector Clouseau was a year-round mustachioed (not just for Movember) swimmer, whom I could always count on to release a torrent of water over the lane buoys that separated us as he thrashed his way past me down the Fast lane. He was constantly working on his arms, wearing a flotation device between his legs so he wouldn’t have to kick.

Gargle-Mel was a member of the senior water-walkers crowd, who bore an uncanny resemblance to an old boss of mine. I always knew when he was in the water before actually seeing him because of the distinctive gargling sounds he would make underwater, which I would hear from a lane away as he trotted up and down the deep end with his flotation belt cinched to his waist.

A couple of times, I crossed paths with scowl-faced Maxine, who reminded me of her grumpy elderly doppelganger of greeting card fame. Maxine would often swim next to me in the leisure lane, and would lambaste me for any amount of splash I might inadvertently kick up from my powerful lower limb outboard motor.

The Indomitable Frogman was a weekend fixture in the pool. He always distinguished himself by his alarmingly nude color swim trunks and, despite his advanced age and glacial breast stroke pace, was either completely oblivious or didn’t give a whit about the traffic jams he would routinely trigger behind and beside him as a queue of swimmers (including me & my flutter board) successively manoeuvred (or leap-frogged) their way past him…

Wednesday evening swims were among the busiest sessions at my community pool, where accomplished, fit swimmers could often be seen chasing or racing each other in the Fast and Very Fast lanes. Wearing goggles was a must because of all the splashing, thrashing, and churning of water. On some nights, the water could become so rough that I had the impression of swimming in the open water free-for-all of a triathlon.

Among the talented Wednesday night swimmers were a couple, The Great White Shark Lady and her husband/partner, Scuba Steve. I was forever baffled as to why the Shark Lady would always opt to swim in the Medium lane when she so clearly belonged in the Fast lane. When she entered the pool’s waters, she would inevitably swim circles (figuratively-speaking) around everyone else in the Medium lane seemingly without breaking a sweat or exceeding her resting respiratory rate. Scuba Steve, on the other hand, was a regular in the Very Fast lane with the other hard-core swimmers, including some strong women. I felt like I was at Marineland watching a frisky dolphin as I admired Scuba Steve’s powerful flip-turns off the wall underwater as he progressed through his series of successive 25-m laps. I would always marvel at how he never misjudged his distance from the wall.

There were other interesting characters, as well, such as Waltzing Matilda who, like so many of the older adults in the pool without a swimmer physique per se, nonetheless seemed to just dance on water with her effortless, graceful interpretation of the breast stroke. She would almost certainly never break a sweat, looking more like a proper lady at a Victorian ball waltzing up and down the pool in her imaginary floor-length frock. 

One of the more fascinating characters to observe was The Amazing Flying Lake Trout. If I were going to cross paths with him, it would almost assuredly be during one of those busy Wednesday night sessions. His appearances were almost theatrical, with his grand entrance parading not one, not two, but three full-length towels, which he always carefully draped in parallel (like Patrick Bergin‘s character would’ve done in Sleeping with the Enemy) over the observation deck. Next, instead of beginning his lane swim in the shallow end as was customary at our pool, he would walk over to the deep end, greet the lifeguard on duty, and then unceremoniously launch himself from the deck like a WWE wrestler atop the ropes in the ring executing his finishing move — in this case, a sort of bouncy butterfly stroke into the Medium or Fast lane. The tidal wave generated from his entry and subsequent pounding, single fin-like kick of his feet had the effect of clearing the lane in which he was swimming, as the other swimmers quickly strategically switched lanes or waited for the tsunami to pass before continuing their work-out. The energy that the Flying Lake Trout would’ve expended with his inefficient stroke must have been considerable, which made it all the more remarkable how he was able to swim a series of brisk 25-m laps before taking a break.

Sauna-Addiction-Lady, by contrast, was not a swimmer that I could tell, but she would always come to the pool on Saturday afternoons with her swimming family. While her husband and children frolicked in the pool, she would disappear into the wooden, poolside sauna shack, spending an inordinate amount of time luxuriating inside. One weekend afternoon, she emerged so completely red-faced and dehydrated that I thought she was going to faint. A couple of ladies were concerned enough to offer her water, despite her protestations and assurances that she was fine. Personally, I do not understand the allure of the sauna and the desire to make oneself dripping hot, but then I also do not understand Bikram yoga or people who choose to take their vacations in tropical areas. I chock it up to being a Nordic girl, but maybe I am part amphibian…

And then there was Mr. Even-Though-I’m-Old-Enough-To-Be-Your-Father-I-Can-Still-Rock-A-Speedo…  Why is it that men of a certain age — those nearing or at retirement age, who still hit the health club — seek to attract the attention of women at least 25 years their junior? What’s wrong with pursuing more age-appropriate women? Having had enough unwanted, poolside encounters with said men, I’m seriously starting to wonder a) how old I actually look and b) what kind of unintended signals I may be giving off. One such awkward encounter occurred last spring with an older man, whom I initially thought was just engaging in friendly, professional chit chat about our common industry. So when I agreed to go for coffee one afternoon, I did so on the assumption that it would be for professional networking. The thought that he might have been interested in me never crossed my mind as he was clearly old enough to be my father. However, when I began the conversation with an animated analysis of where I thought the industry was headed, Mr. Speedo’s true intentions were suddenly and awkwardly revealed when he interrupted my diatribe, lamenting how we always seemed to talk about work… [For the record, just in case there was any uncertainty on the subject, Speedos should be outlawed for all but competitive male divers, such as Alexandre Despatie.]

What It Will Take for this Aspiring Fish to Earn her Fins

To finally become a swimmer, I am going to need to find the right instructor and the right pool. Someone patient and creative, and perhaps with a gift for psychology. In particular, someone who knows how to teach and work with adults, which is not the same as teaching and working with kids. Kids are fearless and mostly uncomplicated, more apt to bounce back from setbacks.

In the meantime, until my community pool reopens, I will keep exposing myself to deep water at the university pool while dodging stray basketballs. It may also be time to leverage that analytical brain of mine and check out a couple of well-reviewed books on swimming (Conquer Your Fear of  Water by Melon Dash and Swimming Studies by Leanne Shapton).

Dating Don’ts: Applying the ‘Scientific Method’ to Dating

Let’s get one thing straight: what happens in the lab should stay in the lab, right? Easy for you to say if you’re not a researcher or science writer, whose brain functions in analytic mode 24-7…

When I go on a first date with someone, my prospective mate could be forgiven for thinking he had walked into a courtroom for a surprise cross-examination or high-pressure job interview instead of a casual date.

I’m not the greatest at small talk, but I can do it… when I have to. My preference, however is to just get to the point relatively quickly — particularly on blind dates or on-line meet-ups — to determine whether there actually is a connection and therefore a point to the date. Which makes the meandering way in which a date can unfold problematic for people like me. I’m going to chalk my little personality quirk for efficiency up to a combination of my INTJ (“scientist”) Myers-Briggs personality type and Keirsey Rational temperament. I’m all about uncovering the truth and have this compulsion to plan or strategize.

Dating is not data though. It’s about people: you and your date (assuming you are not on a double date, or have asked two or more people out on this given date — which you haven’t, ’cause you’re too decent for that). In real-time. No control groups or experimental mice, rat, or ferret models; ditto for Petri dishes, study patients, or scientific papers for a systematic review & meta-analysis. No slightly geeky but witty crack team of CSI-like researchers to back you up either.

It’s you and you alone. Well, you and your date. The point being you are “on”, so any natural tendency to defer to the flagellated bacterium under your high-powered electron microscope (as the case may be) or equally captivating big, extroverted personality in the room is no longer an option (unless of course, you’ve brought your i-pad with you and you decide to skype your chatty, vivacious BFF in, which could backfire on you, because your date might actually end up liking her instead of you — assuming you decide you are attracted to this guy).

And so, under such pressure to perform, I tend to treat dating much like a job interview or athletic competition, where the rules of engagament are well established. So, of course being competitive, I summon my A-game to win — which is a tricky outcome in a dating context, in that what exactly you “win” isn’t always as clear as it is in a job interview or road race…

If only dating could be conducted like a controlled clinical trial designed to answer one fundamental question: ‘Is this a good guy… for me?’… 

Imagine how useful such a controlled experiment (see Figure 1 below) could be on those occasions* when you’re juggling dating more than one person at once — but not on the same date — and need to make careful comparisons between candidates in order to decide which person with whom you are interested in potentially forming a long-term relationship or meaningful chemical reaction. [*NB: not my preferred approach since I hate multi-tasking, notwithstanding the fact this kind of conundrum is also a relatively rare event for me]

Figure 1: One example of a design for a controlled clinical dating experiment

At the risk of totally geekafying this post (if I haven’t already), I sort of had a non-randomized active-controlled, two-arm cross-over trial (as illustrated in the above schematic) going for a brief period last fall that then morphed, or converged, into a prospective (single-arm) observational study (sorry, Mr. Architect guy).

All this to say, my inner scientist truth-seeker ultimately aims to determine the answer to that most fundamental of questions (in case you’ve forgotten: ‘Is this a good guy?’) in the most expedient way possible, and then, if I judge that he is not, my alter-ego economist/strategist then kicks into high gear and seeks to minimize the opportunity time +/- cost trade-off of this unsuccessful date by devising a proper exit strategy that ideally saves face for both of us.

But backing up a step, any scientist (worth his/her salt) or good critical thinker should ask, ‘well what is YOUR definition of a ‘good guy’?.. Good question, since this definition is inherently subjective, and thus will vary depending on who is doing the defining. 🙂

I like to think I will simply recognize him intuitively when I meet said potential Mr. Right, but the truth is I clearly have no clue – or at least I didn’t until recently. (20-20 hindsight + bad timing seem to be my dual nemeses).

Case in point: a few months ago, I did meet a potential Mr. Right, but didn’t recognize it until too late, because of the specious scientific paradigm I had been operating under to that point about the type of personality I believed my Mr. Right should invariably possess in order to be my ideal fit — the yang to my yin, Mr. Darcy to my Elizabeth Bennet, Pierre to my Marie Curie

I’ll never know for sure now, because I wasted a lot of time while Mr. Potential Right and I were dating, harping on the improbability of our association, fit, and long-term compatibility. You see, normally, I attract guys of the somewhat nerdy scientific persuasion (I know, you’re shocked) despite being a reasonably well-rounded person, myself (avid athlete and love of the arts & culture scene). One of these nerdy-science guys whom I had particularly fancied for quite a while was exceptionally brilliant (a descriptor I do not dole out often), articulate, and could write so beautifully (hello, Robert Browning). I also felt like we spoke the same (often flowery, neo-Victorian) language when we first met. In many ways, I was convinced he represented a better version of myself. (Eureka!) I was sure I’d found my Mr. Darcy at last. OK, maybe the Sheldon Cooper to my (much cooler, more socially aware) Amy Farrah Fowler. 😉

Well, sadly, it didn’t work out. Turns out Sheldon and I were a bad fit despite his meeting the lion’s share of my itemized, imaginary Mr. Right wishlist, except for maybe some of the really important stuff (which, of course, I would only learn in hindsight). And this leads me to the eventual realization (and new scientific paradigm) that I came to in missing my recent opportunity with Mr. Potential Right: it would have been a complete disaster for me to be with a guy who shared 95% sequence homology with my personality make-up (i.e., was a close carbon-copy of myself). Imagine the combination of two intense, serious, competitive, hyper-analytical, impatient, demanding, perfectionistic, critical, intellectualizing scientific types — together… as a couple… Wow, what a recipe for fun!? Sounds more like a train wreck waiting to happen. In my state of protracted love-blindedness, however, it sounded more like a match made in ideological heaven to me until my moment of (delayed) enlightenment post Mr. Potential Right’s serendipitous arrival into my life.

So, at the risk of recall bias (i.e.,  reviewing one’s romantic past with strictly rose-colored glasses), I decided to try and reach out to Mr. Potential Right, after recognizing that my obssessive analysis about our ‘differences’ was really just an outward expression of my anxiety or fear about the distinct possibility that we might have actually been very compatible (or complementary) as a couple because of our differences.

Which leads me to my own ill-advised (20-20 hindsight) personal version of the ‘mail-order brownie romantic entreaty fiasco (see post “Dating Don’ts: Professing one’s love via mail-order brownies” dated March 25, 2012): I decided to reach out to Mr. Potential Right one month after we ended things in the spirit of rolling the dice, seizing control of my life, and taking a risk to see if we could give things another shot.

Since, more often than not, I tend to chicken out with the whole raw, uncomfortable feelings stuff (like a true INTJ, sadly…) in favor of retreating to the relative safety of pontification and intellectualization — which has the untoward effect of making me appear deceptively rational, stoic, and completely emotionally unaffected — I decided to try a different approach to show my softer, sensitive side: a grand artistic gesture! 🙂

I came up with the whole concept while out running one night (solitary running can really be a great catalyst for creative thinking/ideas — just maybe not this one): I would do a series of hand-drawn, colorized sketches on progressively smaller (and differently colored) envelopes – think Russian (Matryoshka) nesting dolls complete with brief recipe card-sized notes (serving as narrative or the ‘pitch’, in case the drawings alone came across as hieroglyphs) — that would tell a (hopefully) compelling story about our (all-too-brief) romantic interlude, and whose overall message would be to ‘give us another chance’. Brilliant, right? Maybe for a Nora Ephron or John Hughes rom-com. But in real life? Probably not so much. Anyway, I had fully committed to my artistic vision and hopelessly romantic plan, so there was no turning back. One sunny afternoon, I stealthily slipped the finished chef d’oeuvre into his mailbox and then waited — not in the bushes or anywhere else near his home, just so we’re clear I’m not some crazy stalker — in anticipation of our most certain joyous reunion à la Jane Austen grand dénouement.

After several days then weeks passed, I realized (sadly) that he wasn’t going to go all John Mayer or Adam Cohen and serenade me with his acoustic guitar from the street outside my bedroom window, nor was he going to one-up me with an even grander artistic articulation of his undying affection for me. I just wasn’t going to hear from him, period.

He had more than likely moved on, turned the page on me, and was probably happily dating someone else by now. (Probably someone far easier to be with, too.) I had lost, not in the competition sense of the word (which can easily be misconstrued when it’s me), but I had lost my chance to be with a really secure, interesting, intelligent, funny, outgoing, athletic, artistic, kind, caring, perceptive, sensitive guy, who also happened to be incredibly attractive — all (or at least, in big part) because I thought being so different from each other in temperament was a bad thing when it turns out it is probably exactly what I need in a partner.

And so, I can do nothing but move forward, having learned from this experience, with the hope that I am now better equipped to recognize the next Mr. Potential Right I will meet. (Hopefully, he’s wearing one of those unambiguous signs you see people wearing or holding at the arrivals gate at the airport in order to flag me down!?)

{As a postcript, I have Mr Potential Right to thank for encouraging me to express myself more creatively, and it was this failed Matryoshka mail experiment that was the catalyst for reconnecting with the kind of art I love doing and in launching this blog.}

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